coraa: (house mouse)
Mrs. Frisby and the Rats of NIMH, by Robert C. O'Brien

When Mrs. Frisby's frailest child, Timothy, comes down with pneumonia, the doctor insists that he cannot be moved—cannot be taken outside—must remain safe and warm indoors. This presents a problem, though, because Mrs. Frisby is a fieldmouse, and the entire family must move house from the garden to the stream banks soon, lest their home be torn apart when the farmer plows the garden. Mrs. Frisby's quest for an answer leads her to a crow, an owl, and finally the mysterious rats who live beneath the rose bush... and who have an unexplained connection to Mrs. Frisby's late husband.

Oh, I adored this book when I was a kid. I read it for the first time when I was eight? nine? and then again every couple of years until I was in high school. This was my first re-read in a long while, though, and I was pleased by how well it stood up.

In a lot of ways, it's really a remarkable little book. If you leave aside the fact that Mrs. Frisby is clearly too intelligent to be a 'normal' fieldmouse, there's no magic in the book at all. Mrs. Frisby achieves everything she does through courage and fortitude, and the rats do their part through wits, intelligence and good planning (as well as a dose of bravery of their own). And, while the book does include unusual, even superhuman (superrodent?) characters, the heroine is a quite ordinary fieldmouse, a mother, sensible and kind and determined, and while there are other remarkable characters she remains central throughout. (Although I confess, I had a confused little cross-species crush on Justin. I still kind of do.)

Another thing about the book: there really aren't any villains. Even the humans who appear as antagonists are more like forces of nature than "bad guys," which makes perfect sense given their roles in the lives of the animals on the farm.

I think those two things are why I never really could love the movie The Secret of NIMH. On its own, it's not at all a bad animated film—and I'm not a stickler for accuracy in conversions of book to movie; I know that what makes a good book doesn't necessarily make a good movie. But The Secret of NIMH added both magic and a villain, and, to me, that took away a lot of what had made the book special.

Anyway. This is quite clearly a middle-grade book, but if you can see past that, I think it holds up quite well. I just reread it in one gulp, one sitting, one long bubble bath, and I'm glad I did. Highly recommended.

There is one way in which the book dates itself: the rats have gender roles, and the males seem to be in charge. I think the strength of Mrs. Frisby's character (in both sense of the word—she's as well-rounded, and as courageous, as anyone in the book) makes up for the implied gender inequity among the rats, but mileage may vary.
coraa: (bookses)
(Yes, I'm going through these at a rapid pace. I've got a backlog to post.)

The Forest of Hands and Teeth by Carrie Ryan

In Mary's village, all life is focused on two things: preserving a vestige of humanity within the fence, and keeping the Unconsecrated -- the vicious, shambling dead -- out. To that end, life is extremely restricted, and each villager knows his or her role well, and follows the instruction of the religious Sisters who rule the village.

Mary, though, dreams of something else -- something beyond the village. So she chafes at the restricted possibilities for her life, dreams of the ocean... and is fascinated when someone arrives from outside the village.

This book had a lot of promise, which is, I think, why the flaws made me pull my hair out. I could see how great the book could be, and so I winced all the more when parts of it fell flat. It really was a page-turning read, with a lot of intriguing ideas, and so the holes in it frustrated me.

First, the good things: the book was written beautifully. Ryan has a lush, lilting voice, and that meshes well with the wild dangers outside the fence and with Mary's dreamy, searching-for-the-horizon personality. It read so easily and so enjoyably that, even with its faults, I'd be happy to read the next book.

I also liked some of the things that were done with the worldbuilding. It was enjoyable to read a zombie book that was so quiet and personal, and one that was set so long after the unspecified disaster that caused the zombies to appear. (I think it's actually several generations after.) I liked the details of how the villagers worked to slowly increase their protected village, and I was intrigued by the Sisters and by the stranger who arrived at the village. The book definitely kept the pages turning.

The biggest problem was the characters, which is a big problem for me because characters are the number one most important thing in a book for me -- and a big problem because this is a very character-centric book. Mary (the first-person narrator and definitely the main character) was well-characterized enough, but not terribly unique: she was a young woman who felt stifled by the options available at the village and who wanted to see the world. Not bad, and a character motivation that I, in general, like and am sympathetic to, but a fairly recognizable type. That would have been okay if the other characters had been more fully-rounded, but they weren't. The book focused on a core of, let's see, seven characters (eight if you count the dog), and unfortunately each one of them is defined only by their relationship to Mary. One is Mary's best friend and envies her; two are boys who are varying degrees of in love with her; one is her brother, who resents her; one is her brother's wife and has really no traits at all besides being her brother's wife; and one is a kid. The only desires and motivations they express are either a) related to Mary, or b) "not getting eaten by zombies." I really wanted one of them to have a goal or a desire or a response to something or anything that didn't have anything to do with immediate short-term survival or Mary.

The second big problem is that the book gets me intrigued by a lot of mysteries and secrets and then... never really explains them, or explains them in ways that don't make much sense. But I can't get specific about that without spoiling, so, cut for discussion and some flailing.

Spoilers venture beyond the fence )

Despite all my flailing, I'll still be reading the sequel, partly in hopes that some of the unexplained things will finally be explained, and that Mary will get a bigger goal. I'd still recommend this, especially if you like zombie stories and/or smooth, pretty prose, but it's not as highly recommended as some of the other things I've recced.

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