coraa: (changeling)
Ash, by Malinda Lo

Aisling, also called Ash, is devastated when her mother dies. Things only get worse when her father dies as well, leaving her in the hands of her stepmother Isobel. Isobel forces Ash to pay off her father's debts through servitude, and eventually Ash is serving as gardener, housekeeper and lady's maid to Isobel and her social-climbing daughter Ana. Ash's only solace is the Woods... where she meets both a fairy man who knew her mother, and the King's Huntress, Kaisa, who shares her love of the Wood and of fairy stories and who sees past her withdrawn demeanor.

This book was introduced to me as a lesbian Cinderella retelling, which is a totally accurate description, and that description alone was enough to make me read the book. I have long had a fondness for fairy tale retellings, and one that subverted the heteronormative assumptions of most of them sounded delightful. So I was really eager to like this book.

And there are some things I do like about it. I still love the idea. The depiction of the woods, and the fairies, worked for me very much; it's mysterious and dangerous without being over the top. But my favorite thing is Kaisa, who I found very compelling: her position as the King's Huntress intrigued me from the start, and I loved her kindness and courage. I found her completely believable as a love interest, and I liked the slow progression of her romance with Ash. She was a liminal character: not quite part of society, not quite part of the Wood, and I liked her very much.

Unfortunately, Kaisa wasn't the protagonist. Ash was. And Ash, unlike Kaisa, was curiously passive. Part of that, I think, was the shape of the Cinderella narrative: Ash couldn't run away or otherwise materially change her situation, because she had to walk through the paces of the story framework. She bore her trials with stoicism, which is not in itself problematic, but she didn't actually do anything about them. And the way she related to her 'fairy godfather' didn't work for me in ways that I'll describe under the cut, because they're spoilery. Had this been the story of Kaisa, King's Huntress, navigating her liminal position, falling in love, standing in the space between human Ash and the inhuman fairies, I think I would have loved it. As it was, I found myself frustrated that the major character rarely if ever tried to influence her own future.

The other problem that I had was with the prose. I like both "transparent" prose and stylized or ornate. Unfortunately, this book fell somewhere in the middle: I couldn't quite see through the prose to the world of the story (as I would with transparent prose), nor was it quite stylized enough for me to admire the words for themselves. As it was, I felt as though there was a thin but solid layer of glass between me and the characters.

More discussion, with spoilers )

All this isn't to say it was a bad book. I did enjoy it. It's just that I wish Ash had been even a little bit more, well, proactive.
coraa: (bookses)
The White Tiger, by Aravind Adiga. (Man Booker Prize winner.)

The White Tiger is written as a letter from Balram, the protagonist, to Wen Jiabao, the Premier of the People's Republic of China -- a letter whose purpose, Balram says, is to explain "the truth about Bangalore" by describing his own life story and the way that he became what he calls a "self-made entrepreneur." Most of the book -- apart from asides where the adult Balram addresses Wen Jiabao directly -- are a depiction of Balram's childhood of extreme deprivation in rural India, and his efforts to pull himself out of it before it kills him, as it did both his parents.

The name of the book comes from a scene early in the book while Balram was still in school, when his (drunk -- at the time and in general) teacher got a surprise inspection from the government. The official questioned the students; Balram, bright and ambitious, was the only one who impressed him. He compared Balram to the white tiger, 'the rarest animal in the forest -- and by the comparison indicates that he has no expectation of finding intelligent and determined students in rural villages with any more frequency than he would find a white tiger. He arranged for Balram to receive a scholarship. And in a more hopeful book, that would be the first step in the direction of Balram's progress out of poverty: that Balram should get a scholarship, better education, movement out of the crushing inequity of his childhood.

This is not that kind of hopeful book. Before Balram got even a sniff of the scholarship, his grandmother pulled him out of school and sent him to work in the teahouse to pay for the wedding of one of his female cousins. (Weddings are treated much like natural disasters in the book, unavoidable crises -- at least the weddings of female relatives: each of the men in Balram's family got pulled out of school to work to pay for the wedding of a female relative.) There's no question after that that he'll get more education. He was sucked into the pattern of work and death that doomed his father and mother both.

(I should pause here and say that I know embarrassingly little about poverty and class in India. For the purposes of this review, I'm taking the book at face value -- although it's a sign to me that I could definitely stand to educate myself more on this subject.)

Balram does find a way out -- but it's got nothing to do with the naive 'pull yourself up by your own bootstraps' fantasies that I'm familiar with from most rags-to-riches stories.

And I can't talk about it more without spoilers, so, cut. )

This book reminded me a great deal of The Absolutely True Diary of a Part-Time Indian; I tried to avoid too many comparisons in the rest of the review in order to allow this one to stand alone, but I can't help it, I have to indulge the comparison here. They're both about ambitious, intelligent young men born to crushing poverty, living in towns/villages with very little possibility for improvement, and fighting for a better chance -- and more to the point, both are exceptionally depressing but written in a way that's very funny. I think I'd like The White Tiger better if it didn't remind me of Absolutely True Diary, because... because I just didn't like Balram as much as I liked Junior. I don't think this is a failing of the book: it's pretty clearly partly about the way people act in extremity, and the way people act in extremity is not always pretty. It's a bleak, bleak book, and the fact that it's funny doesn't obscure the way that it's deeply depressing.

And yet -- and yet Balram gets a happy ending, of sorts. It's just -- it's not a cheerful happy ending. It's a making-the-most-of-horrible-things happy ending. It's a happy ending in which the protaginst admits that he still has to ignore certain things that have happened, certain things he has done.

It was a very good read, sucked me in and didn't let me go, and gave me so much to think about. It was also about as far from a comfortable read as I can imagine, so do be aware of that if you're planning to read it.

Running Tally:

Total Books: 12
Fiction: 2
Non-Fiction: 10
POC Author: 2
coraa: (bookses)
The Pluto Files, by Neil deGrasse Tyson

I got this book because I saw Tyson on The Daily Show, talking about it, and the whole interview made me grin ear to ear, like a loon. (You can watch it here, if you like.) It's relatively rare that I watch an interview on a show like that and actually want to go get the book, but I did -- immediately. And I'm really glad I did.

The Pluto Files is about 'the rise and fall of America's favorite planet' -- it charts the history of Pluto's discovery, and its special status to Americans. (Pluto was the only planet discovered by an American, and, of course, there's the cartoon dog, named shortly after the planet's discovery.) And then, of course, the complicating factor of the discovery of other Pluto-like icy bodies, which threw into question: was Pluto really a planet at all?

At the heart of the book is a question: what makes a planet a planet? Apparently this question didn't have an actual answer for a surprisingly long time -- effectively, a planet was the set of things we called planets. This was more or less fine when the state of astronomy and astrophysics was such that we weren't aware of the other things out there... but that changed dramatically over the course of the twentieth century, what with the Hubble Space Telescope and the various unmanned probes.

Much of the book is about this debate: what makes a planet a planet? When the other icy bodies orbiting beyond Neptune were discovered (the Kuiper belt objects), the question became: if we find another icy body as big as Pluto -- or bigger -- do we call it a planet, too? What if we find a bunch of them? Will we cheerfully up the number of planets to ten, twelve, fifteen, twenty? (Indeed, at least one Kuiper belt object was found that was bigger than Pluto; if Pluto was a planet, then Eris definitely was a planet, too.) Or does the presence of a wide variety of Kuiper belt objects, much more similar to one another than to the rest of the planets, mean that Pluto isn't really a planet at all? Indeed, the famous 2006 vote to de-planetize Pluto wasn't actually about Pluto at all, something I hadn't been aware of: the vote was to ratify the first formal definition of a planet, and that definition didn't include Pluto.

But the other key topic of the book was the intersection between culture and science. Several people, scientists among them, argued for a cultural definition of 'planet' that could keep Pluto under sort of a historical grandfather clause. In other words, the argument was that Pluto is a planet because 'planet' has more to do with public opinion and historical tradition than scientific definition. And this part of the book included all kinds of fascinating things: songs about Pluto, letters from elementary school students (in the interview, Stewart says, "You got some hate mail about this decision, didn't you?" and Tyson laughs and clarifies: "Hate mail from third graders."), explorations of the effect that nearly eighty years of the Disney dog had on perceptions of Pluto's status, descriptions of the various 'funerals' for Pluto.

One of the things that I really liked about it, too, is that Tyson doesn't pretend neutrality. He's clear from the beginning that his opinion was that Pluto wasn't a planet, and the book is partly an argument for that opinion. I liked that it was straightforward in its biases, and that's part of what made it so entertaining and so... not-textbook-like.

This book was, as far as I'm concerned, a rare find: a pop science book, accessible to practically anyone, but still written by an expert in the field; a book that is informative and funny and opinionated and absolutely delightful. Highly recommended -- and I'm going to track down more of Tyson's books soon.

Running Tally:

Total Books: 11
Fiction: 1
Non-Fiction: 10
POC Author: 1
coraa: (bookses)
The Absolutely True Diary of a Part-Time Indian, by Sherman Alexie. YA novel.

Junior has spent his whole life in the town of Wellpint on the Spokane Indian Reservation, as has his whole family back as long as there's been a rez. When time comes for him to enter high school, he decides to go to the local (all-white) non-reservation high school, twenty miles away, in what is quite literally a search for hope. He grapples with personal problems -- the fact that he is kind of a goofy-looking dork, joining the basketball team and what goes with it -- and broader ones, such as the problems of community, identity, and where he belongs, which ties together with the high-school issues when his basketball team plays against the reservation high school's basketball team. "It was like being Indian was my job, but it was only a part- time job. And it didn't pay well at all."

...I don't like that summary much at all, because it makes this sound like a pretty cliche caught-between-two-worlds novel, and it's really not, at least not to me. For one thing, it's very specific. I don't know much about the Spokane tribe and reservation (shamefully little, considering I grew up right there), but I do know the landscape the book is set in, and I've walked a hundred times through schools exactly like the little non-reservation high school he describes. It's not a book about some kid in some culture clash; it's very much about this kid, this culture clash, this environment, this place. Also, Junior's voice is sharp and funny and very real, as are his comics (as drawn by Ellen Forney). He's intelligent (in a sarcastic kind of way) but also basically a teenage boy, and I believed both things about him. I liked him, which always helps. Even though his experiences and mine are radically different, and he as a character is radically different from me, he was very familiar -- the 'being a goofy-looking dork' thing, the sarcasm and wit, were things I recognized.

The one thing about this book is that, despite being very funny, it's also got points of being very depressing -- Alexie doesn't sugarcoat problems on the reservation, and the alcohol and poverty and racism is pretty grinding, both to Junior and to me as a reader, even though the novel doesn't set up shop in angstville and live there. The complexity of the issues involved, and Junior's approach to them, his wit and his stubbornness, keep it from being a downer book, but there are surely downer moments; it's most definitely not fluffy-comfort-reading YA (though it's also not really a lynchings-and-dog-shootings YA either).

I liked it a lot. In general I love Sherman Alexie's work -- have ever since I saw Smoke Signals, the movie based on some of his short stories in The Lone Ranger and Tonto Fistfight in Heaven, which prompted me to read that book and Reservation Blues and some of his poetry. (It always seems a little ironic to me that I didn't find Alexie's work until I'd left my hometown -- which is maybe two hours from the Spokane Indian reservation that he is from and writes so much about.) And by the way, I love Smoke Signals, especially the character Thomas; if you like independent movies and haven't seen this one, do, and especially if you're in the Northwest and like regional works.

Recommended.

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